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  INK BLOTTER MADE FROM A PROPELLER

  SKU: 24-15

  $150.00

  This is a unique ink blotter that makes an interesting desk piece. The blotter is made of segments of wood from a propeller (I cannot say whether it is British, American, French, or German). The top of it has a hand-carved propeller that measures 5″. The top unscrews to allow access to the bottom of the blotter. This way the blotting paper could be removed when it became too soiled. This would look great on your desk.

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  This is a unique ink blotter that makes an interesting desk piece. The blotter is made of segments of wood from a propeller (I cannot say whether it is British, American, French, or German). The top of it has a hand-carved propeller that measures 5″. The top unscrews to allow access to the bottom of the blotter. This way the blotting paper could be removed when it became too soiled. This would look great on your desk.

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  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING AMERICAN SE 5 ATTACKING A PAIR OF FOKKER D. VII’s

  SKU: 16-393 XJB

  $1,995.00 $1,596.00

  My good friend, the late Jack Hunter, was both an accomplished writer (author of the legendary WW I aviation novel The Blue Max) and painter. The first example of his artwork appeared with the release of The Blue Max’s 1st edition. The publisher would not pay for a color dust jacket, so Jack volunteered to provide the artwork. This way his first published effort had the benefit of a more professional-looking dust jacket….

   

  Height: in
  Width: 19.5in
  Length: 14.5in

  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING AMERICAN SE 5 ATTACKING A PAIR OF FOKKER D. VII’s

  My good friend, the late Jack Hunter, was both an accomplished writer (author of the legendary WW I aviation novel The Blue Max) and painter. The first example of his artwork appeared with the release of The Blue Max’s 1st edition. The publisher would not pay for a color dust jacket, so Jack volunteered to provide the artwork. This way his first published effort had the benefit of a more professional-looking dust jacket.

  Jack continued to paint for more than forty years. He did so mostly for relaxation and to stimulate his mind in between those times when he was writing books. His painting is prized by collectors and has appeared in several museums. In Jack’s paintings, the airplanes were the “stars.” He worked very hard to capture all of an airplane’s correct details. Before starting on a new painting, he first produced what he termed “work sketches.” Many of these were in color. He endeavored to correctly portray ALL his subject aircraft’s historical details before he began the full painting. Even if he had previously produced paintings of Fokker Triplanes, he still painted a new “work sketch” to ensure its story’s details were absolutely accurate. For Jack, his painting was an extension of his writing: he always was telling a story. He usually included a typed or handwritten description of each painting’s action. These generally were attached to its reverse, to help its new owner understand the painting and its particular airplanes.

  Our action in this painting occurs during the summer of 1918. America has been in the war for more than a year. Not only are American Armies taking their place in the trenches, but American pilots are joining their French comrades at the Front. When we think of WW I’s U.S. Army Air Service, we more often picture French Nieuports and Spads (as flown by top American ace Eddie Rickenbacker). Yet Americans also flew British aircraft. Here we see a bold American in a British SE 5, diving on a pair of unsuspecting Fokker D. VII’s. [His plane has no squadron markings, but a number 17 appears on the fuselage. Its tail number is F-875. One can see shell casings coming from the top wing-mounted machine gun]! The American has already put one of the Germans out of commission. As Jack recounts in his description, the American pilot is diving under the two and next will determine if he can pursue the survivor, or should retire for another day. The crippled D. VII is smoking heavily on its way to the earth.

  The two finest WW I British airplanes were the Sopwith Camel and the SE 5. The Fokker D. VII arguably was WW I’s best fighter airplane. It certainly was the best the Germans had to offer. The Allies thought so highly of the D. VII that the Treaty of Versailles obliged Germany to hand over any that were still flyable, and not build any more. In addition to the D. VII’s superior flying characteristics, it was powered by a high-horsepower Mercedes-Benz engine, which gave it tremendous straight line and diving speed.

  Jack primarily produced two different sized paintings. This is the larger of the two. The painting measures 14 ½”x 19 ½.” The painting is single-matted. It sports a simple black frame, and its overall measurements are 19 ½” x 24 3/4.” This is a fine opportunity to obtain an original piece of artwork from a multi talented artist.

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  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING GOTHA G. V. BOMBER ATTACKED BY SE-5A

  SKU: 16-407

  $1,995.00 $1,596.00

  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING GOTHA G. V. BOMBER ATTACKED BY SE-5A

  The late Jack D. Hunter was an amazing talent, and a good friend. One of my favorite “Jack” stories occurred when his first book (The Blue Max) was being prepared for publication. As was standard for first-time authors, Jack was informed that his dust jacket would be rendered in black and white (artwork AND color were too expensive for a writer without a proven sales record). Jack, however, told the publisher that HE would provide the artwork if the dust jacket was published in color. The publisher printed 5,000 (a first-time author’s standard run) hardback copies, in color, as The Blue Max’s first edition. It became a top-seller as soon as it was published, then quickly was snapped up and turned into a major motion picture starring George Peppard, James Mason, and Ursula Andress. Jack went on to write seventeen books before his 2009 death. In addition, he became a talented aviation artist whose work resides in museums’ and enthusiasts’ art collections all over the world.
  Throughout his years as an artist, Jack produced paintings in two basic sizes. Today we are offering one of his paintings in the smaller, more compact size. Its simple, elegant, black, molded frame measures 19 ½” x 24 ½.” It sports a single-matte. The painting’s subject is a German Gotha G. V. Bomber flying over Southeast England. It has become separated from the rest of its squadron, and is heading for home.

  The Gotha was one of Germany’s best-known WW I bombers. Considered a heavy bomber, it was produced in three variations: the G. V., the G. Va., and the G. Vb. A total of 205 G. V.’s was built between 1917 and 1918. According to Jack Hunter, they carried twelve bombs and flew at 92 mph. The bomber carried a crew of three and had multiple machine guns to protect itself. The Gotha had two engines to propel it. It was a “pusher” aircraft, meaning its propellers were located aft of the engines to “push” the airplane.

  In the painting, the Gotha is being attacked by a SE-5a coming from above. Arguably, the SE-5 and Sopwith Camel were Britain’s best-known WW I fighter planes. Nearly 5,200 SE-5’s, SE-5a’s and SE-5b’s were built. The SE-5 was flown by many top British and American aces. (An original SE-5 can be seen at the U.S. Air Force Museum in Dayton, Ohio). The first SE-5’s reached the front in March 1917, and were flown by the RFC’s famous 56th Squadron. One of its unique features was a single machine gun mounted in front of the pilot on its cowl. A second was mounted on the top wing.

  Jack’s signature appears in the painting’s lower right corner. The painting’s reverse displays a printed description of the action written and signed by him.

  Height: in
  Width: in
  Length: in

  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING GOTHA G. V. BOMBER ATTACKED BY SE-5A

  The late Jack D. Hunter was an amazing talent, and a good friend. One of my favorite “Jack” stories occurred when his first book (The Blue Max) was being prepared for publication. As was standard for first-time authors, Jack was informed that his dust jacket would be rendered in black and white (artwork AND color were too expensive for a writer without a proven sales record). Jack, however, told the publisher that HE would provide the artwork if the dust jacket was published in color. The publisher printed 5,000 (a first-time author’s standard run) hardback copies, in color, as The Blue Max’s first edition. It became a top-seller as soon as it was published, then quickly was snapped up and turned into a major motion picture starring George Peppard, James Mason, and Ursula Andress. Jack went on to write seventeen books before his 2009 death. In addition, he became a talented aviation artist whose work resides in museums’ and enthusiasts’ art collections all over the world.

  Throughout his years as an artist, Jack produced paintings in two basic sizes. Today we are offering one of his paintings in the smaller, more compact size. Its simple, elegant, black, molded frame measures 19 ½” x 24 ½.” It sports a single-matte. The painting’s subject is a German Gotha G. V. Bomber flying over Southeast England. It has become separated from the rest of its squadron, and is heading for home.

  The Gotha was one of Germany’s best-known WW I bombers. Considered a heavy bomber, it was produced in three variations: the G. V., the G. Va., and the G. Vb. A total of 205 G. V.’s was built between 1917 and 1918. According to Jack Hunter, they carried twelve bombs and flew at 92 mph. The bomber carried a crew of three and had multiple machine guns to protect itself. The Gotha had two engines to propel it. It was a “pusher” aircraft, meaning its propellers were located aft of the engines to “push” the airplane.

  In the painting, the Gotha is being attacked by a SE-5a coming from above. Arguably, the SE-5 and Sopwith Camel were Britain’s best-known WW I fighter planes. Nearly 5,200 SE-5’s, SE-5a’s and SE-5b’s were built. The SE-5 was flown by many top British and American aces. (An original SE-5 can be seen at the U.S. Air Force Museum in Dayton, Ohio). The first SE-5’s reached the front in March 1917, and were flown by the RFC’s famous 56th Squadron. One of its unique features was a single machine gun mounted in front of the pilot on its cowl. A second was mounted on the top wing.

  Jack’s signature appears in the painting’s lower right corner. The painting’s reverse displays a printed description of the action written and signed by him.

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