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  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING TWO JASTA 11 FOKKER Dr. 1’s (TRIPLANES) AND ONE BRITISH NIEUPORT 17c

  SKU: 16-391

  $2,195.00 $1,756.00

  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING TWO JASTA 11 FOKKER Dr. 1’s (TRIPLANES) AND ONE BRITISH NIEUPORT 17c

  The late Jack D. Hunter was an amazing talent and a good friend. One of my favorite “Jack” stories occurred when his first book (The Blue Max) was being prepared for publication. As was standard for first-time authors, Jack was informed that his dust jacket would be rendered in black and white (artwork AND color were too expensive for a writer without a proven sales record). Jack, however, told the publisher that HE would provide the artwork if the dust jacket was published in color. The publisher printed 5,000 (a first-time author’s standard run) hardback copies, in color, as The Blue Max’s first edition. It became a top-seller as soon as it was published, then quickly was snapped up and turned into a major motion picture starring George Peppard, James Mason, and Ursula Andress. Jack went on to write seventeen books before his 2009 death. In addition, he became a talented aviation artist whose work resides in museums’ and enthusiasts’ art collections all over the world. Throughout his years as an artist, Jack produced paintings in two basic sizes. His more commonly-seen artwork was larger, measuring 13 ½” x 18 ½.”

  Occasionally, Jack also produced a smaller size that measured 9 3/8″ x 14 3/8.” Today we are offering the larger painting, which is displayed within a 18 3/4″ x 23 3/4″ frame. The simple, elegant black molded frame is accented by an inner, gold trim band. The painting’s single gray matte provides a subtle contrast to the colorful action of its subject, a pair of Jagdstaffel (Jasta) 11’s Fokker Dr. 1’s (the legendary Triplanes) engaging a British Nieuport 17c. The Nieuport 17c was a very nimble and accomplished aircraft. While it was a bit unusual for the RFC (later the RAF) to employ a French airplane, the British aircraft industry was hard-pressed to produce enough aircraft to supply an expanding air service, AND replace the massive, daily losses. Sheer necessity required that they purchase 527 Nieuport 17’s from their French allies. Frankly, I rather enjoy seeing a Nieuport 17c here rather than the rather ubiquitous SE 5’s or Sopwith Camels. The plane’s graceful lines and its fuselage’s unusual side construction make the aircraft uniquely French even when arrayed in British colors. British Squadron Numbers 1, 6, 11, 29, 32, 40, and 60 employed this aircraft. It is also interesting to note that top British air aces Albert Ball and Billy Bishop (1894-1956) favored the sleek Nieuport 17. [Ball was the fourth-leading British ace.

  Even though he was killed in 1917, he had won forty-five victories. His final air battle was with Lothar von Richthofen. Von Richthofen’s plane was shot up, so he withdrew to his airfield. Although the German High Command credited Richthofen with shooting Ball down, it was highly-unlikely. Ball evidently emerged from a cloud bank upside down following his pursuit of Richthofen, then crashed before he could recover. Ball was awarded the Victoria Cross posthumously. Bishop’s total of seventy-two victories made him Great Britain’s top WW I ace]. The painting reveals that the Nieuport 17’s pilot has just dispatched one triplane.

  The wounded Fokker is smoking and headed for the ground. The remaining Dr. 1 is preparing to engage the Nieuport. Both triplanes are dressed in Jasta 11’s famous colors. Too often people tend to forget that only 320 Fokker Triplanes were produced during WW I. In spite of what movies such as 2006’s Flyboys depict, entire squadrons of red triplanes did NOT make up 90% of the Imperial German Air Service. Also, the Dr. 1 was not an easy airplane for a novice to fly. An experienced pilot like Manfred von Richthofen could do amazing things with the plane. It took great skill, however. While the plane was extremely maneuverable, it was not speedy. [The Fokker D. VII was considered Germany’s finest WW I combat aircraft, with approximately 3,300 examples produced. Manfred von Richthofen was involved in its testing phase, but died before the airplanes reached the squadron level. The airplane was specifically prohibited by the Treaty of Versailles. All surviving examples were required to be destroyed or turned over to Allied authorities]. The painting’s reverse sports a typewritten description by Jack D. Hunter, describing its action in great detail. The description ends with his signature. This beautiful painting is a must for any collection, especially since it features two airplanes from WW I Germany’s most famous jasta.

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  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING TWO JASTA 11 FOKKER Dr. 1’s (TRIPLANES) AND ONE BRITISH NIEUPORT 17c

  The late Jack D. Hunter was an amazing talent and a good friend. One of my favorite “Jack” stories occurred when his first book (The Blue Max) was being prepared for publication. As was standard for first-time authors, Jack was informed that his dust jacket would be rendered in black and white (artwork AND color were too expensive for a writer without a proven sales record). Jack, however, told the publisher that HE would provide the artwork if the dust jacket was published in color. The publisher printed 5,000 (a first-time author’s standard run) hardback copies, in color, as The Blue Max’s first edition. It became a top-seller as soon as it was published, then quickly was snapped up and turned into a major motion picture starring George Peppard, James Mason, and Ursula Andress. Jack went on to write seventeen books before his 2009 death. In addition, he became a talented aviation artist whose work resides in museums’ and enthusiasts’ art collections all over the world. Throughout his years as an artist, Jack produced paintings in two basic sizes. His more commonly-seen artwork was larger, measuring 13 ½” x 18 ½.”

  Occasionally, Jack also produced a smaller size that measured 9 3/8″ x 14 3/8.” Today we are offering the larger painting, which is displayed within a 18 3/4″ x 23 3/4″ frame. The simple, elegant black molded frame is accented by an inner, gold trim band. The painting’s single gray matte provides a subtle contrast to the colorful action of its subject, a pair of Jagdstaffel (Jasta) 11’s Fokker Dr. 1’s (the legendary Triplanes) engaging a British Nieuport 17c. The Nieuport 17c was a very nimble and accomplished aircraft. While it was a bit unusual for the RFC (later the RAF) to employ a French airplane, the British aircraft industry was hard-pressed to produce enough aircraft to supply an expanding air service, AND replace the massive, daily losses. Sheer necessity required that they purchase 527 Nieuport 17’s from their French allies. Frankly, I rather enjoy seeing a Nieuport 17c here rather than the rather ubiquitous SE 5’s or Sopwith Camels. The plane’s graceful lines and its fuselage’s unusual side construction make the aircraft uniquely French even when arrayed in British colors. British Squadron Numbers 1, 6, 11, 29, 32, 40, and 60 employed this aircraft. It is also interesting to note that top British air aces Albert Ball and Billy Bishop (1894-1956) favored the sleek Nieuport 17. [Ball was the fourth-leading British ace.

  Even though he was killed in 1917, he had won forty-five victories. His final air battle was with Lothar von Richthofen. Von Richthofen’s plane was shot up, so he withdrew to his airfield. Although the German High Command credited Richthofen with shooting Ball down, it was highly-unlikely. Ball evidently emerged from a cloud bank upside down following his pursuit of Richthofen, then crashed before he could recover. Ball was awarded the Victoria Cross posthumously. Bishop’s total of seventy-two victories made him Great Britain’s top WW I ace]. The painting reveals that the Nieuport 17’s pilot has just dispatched one triplane.

  The wounded Fokker is smoking and headed for the ground. The remaining Dr. 1 is preparing to engage the Nieuport. Both triplanes are dressed in Jasta 11’s famous colors. Too often people tend to forget that only 320 Fokker Triplanes were produced during WW I. In spite of what movies such as 2006’s Flyboys depict, entire squadrons of red triplanes did NOT make up 90% of the Imperial German Air Service. Also, the Dr. 1 was not an easy airplane for a novice to fly. An experienced pilot like Manfred von Richthofen could do amazing things with the plane. It took great skill, however. While the plane was extremely maneuverable, it was not speedy. [The Fokker D. VII was considered Germany’s finest WW I combat aircraft, with approximately 3,300 examples produced. Manfred von Richthofen was involved in its testing phase, but died before the airplanes reached the squadron level. The airplane was specifically prohibited by the Treaty of Versailles. All surviving examples were required to be destroyed or turned over to Allied authorities]. The painting’s reverse sports a typewritten description by Jack D. Hunter, describing its action in great detail. The description ends with his signature. This beautiful painting is a must for any collection, especially since it features two airplanes from WW I Germany’s most famous jasta.

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  NAVY LAND PLANE MILITÄRPAß

  SKU: 13-118

  $575.00

  The Navy Land Plane Jastas of the Naval Air Service were relatively small and quite elite compared to the Navy Sea Plane arm. These squadrons, which flew in Flanders alongside Army Jastas, produced some of the best fighter pilots of the war. These men were often among those with the highest scores of planes shot down. This militärpaß was to an enlisted man who served in one of these jastas, most likely as a ground crewman. This man first entered the Navy in June 1917 and was initially assigned to II. Matrosen Division. He survived the war and entries from as late as 1920 appear in the militärpaß. It is a very difficult-to-find Militärpaß.

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  The Navy Land Plane Jastas of the Naval Air Service were relatively small and quite elite compared to the Navy Sea Plane arm. These squadrons, which flew in Flanders alongside Army Jastas, produced some of the best fighter pilots of the war. These men were often among those with the highest scores of planes shot down. This militärpaß was to an enlisted man who served in one of these jastas, most likely as a ground crewman. This man first entered the Navy in June 1917 and was initially assigned to II. Matrosen Division. He survived the war and entries from as late as 1920 appear in the militärpaß. It is a very difficult-to-find Militärpaß.

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  SOUP BOWL FOR PLM WINNER AND WWII LUFTWAFFE GENERAL ARTHUR LAUMANN

  SKU: 14-293

  $425.00

  Arthur Laumann was born in 1894. When the war began in August 1914, Laumann volunteered and served in 3. Rheinisches Feld-Artillerie-Regiment Nr 83. (This regiment was newly raised in 1912 and garrisoned in Bonn-Düren). Having spent much of the war at the front, Laumann was finally accepted for pilot training in August 1917. In March 1918 he was posted to FA(A) 265. In May of 1918 he was transferred to single-seater service with Jasta 66. He briefly commanded this jasta as Jastaführer from July-August 1918. He was then honored to be transferred to Jasta 10, which was one of the four squadrons that had been assigned to JG 1 (later known as Jagdgeschwader Nr 1 Freiherr von Richthofen after the death of the famed ace in April 1918) under the initial command of Manfred von Richthofen. {Upon his death in April 1918 von Richthofen was succeeded by his hand-picked replacement, Wilhelm Reinhard. Reinhard was killed while testing aircraft in July 1918. The final commander of JG 1 was none other than Hermann Göring, who remained the commander until the armistice in November 1918. Interestingly prior to the air crash that took the life of Reinhard, the airplane was flown by Göring! Those of you who are fans of The Blue Max by Jack D. Hunter may find this similar to the crash of then Jastaführer Otto Heidemann immediately after Bruno Stachel flew the plane}. Returning to Laumann, after he joined JG 1 in August 1918 he received the 1914 Iron Cross 1st Class and the Knight’s Cross with Swords of the Hohenzollern House Order in late September. On 25 October 1918 Laumann was awarded one of the last Orden’s Pour le Mérite given to a pilot. It was the last one awarded to a member of JG 1. Laumann finished the war with a total of TWENTY-EIGHT confirmed victories. Laumann rejoined the Luftwaffe in the 1930’s and was an early commander of JG 26, which was the most famous of the Luftwaffe fighter wings during WW II. Toward the end of WW II he served as the Air Attaché at the German embassies in Greece and Yugoslavia. He died in 1970. This soup bowl is 9 ½” in diameter. The bowl is one of amazing quality. It sports a magnificent gold trim at the edges with a wide band of black. A stylized “L” for Laumann appears on the black in gold. Underneath the bowl is manufacturer hallmarked, but I do not recognize the firm which produced it. This is an important artifact from a well-known WW I fighter pilot and a member of JG 1 during the final months of the Great War.

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  Arthur Laumann was born in 1894. When the war began in August 1914, Laumann volunteered and served in 3. Rheinisches Feld-Artillerie-Regiment Nr 83. (This regiment was newly raised in 1912 and garrisoned in Bonn-Düren). Having spent much of the war at the front, Laumann was finally accepted for pilot training in August 1917. In March 1918 he was posted to FA(A) 265. In May of 1918 he was transferred to single-seater service with Jasta 66. He briefly commanded this jasta as Jastaführer from July-August 1918. He was then honored to be transferred to Jasta 10, which was one of the four squadrons that had been assigned to JG 1 (later known as Jagdgeschwader Nr 1 Freiherr von Richthofen after the death of the famed ace in April 1918) under the initial command of Manfred von Richthofen. {Upon his death in April 1918 von Richthofen was succeeded by his hand-picked replacement, Wilhelm Reinhard. Reinhard was killed while testing aircraft in July 1918. The final commander of JG 1 was none other than Hermann Göring, who remained the commander until the armistice in November 1918. Interestingly prior to the air crash that took the life of Reinhard, the airplane was flown by Göring! Those of you who are fans of The Blue Max by Jack D. Hunter may find this similar to the crash of then Jastaführer Otto Heidemann immediately after Bruno Stachel flew the plane}. Returning to Laumann, after he joined JG 1 in August 1918 he received the 1914 Iron Cross 1st Class and the Knight’s Cross with Swords of the Hohenzollern House Order in late September. On 25 October 1918 Laumann was awarded one of the last Orden’s Pour le Mérite given to a pilot. It was the last one awarded to a member of JG 1. Laumann finished the war with a total of TWENTY-EIGHT confirmed victories. Laumann rejoined the Luftwaffe in the 1930’s and was an early commander of JG 26, which was the most famous of the Luftwaffe fighter wings during WW II. Toward the end of WW II he served as the Air Attaché at the German embassies in Greece and Yugoslavia. He died in 1970. This soup bowl is 9 ½” in diameter. The bowl is one of amazing quality. It sports a magnificent gold trim at the edges with a wide band of black. A stylized “L” for Laumann appears on the black in gold. Underneath the bowl is manufacturer hallmarked, but I do not recognize the firm which produced it. This is an important artifact from a well-known WW I fighter pilot and a member of JG 1 during the final months of the Great War.

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