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  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING BRITISH BE 2c (IDENTIFIED AS A BE 12) TAKING OFF FROM AIRFIELD

  SKU: 16-405

  $1,495.00 $1,196.00

  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING BRITISH BE 2c (IDENTIFIED AS A BE 12) TAKING OFF FROM AIRFIELD

  The late Jack D. Hunter was an amazing talent, and a good friend. One of my favorite “Jack” stories occurred when his first book (The Blue Max) was being prepared for publication. As was standard for first-time authors, Jack was informed that his dust jacket would be rendered in black and white (artwork AND color were too expensive for a writer without a proven sales record). Jack, however, told the publisher that HE would provide the artwork if the dust jacket was published in color. The publisher printed 5,000 (a first-time author’s standard run) hardback copies, in color, as The Blue Max’s first edition. It became a top-seller as soon as it was published, then quickly was snapped up and turned into a major motion picture starring George Peppard, James Mason, and Ursula Andress. Jack went on to write seventeen books before his 2009 death. In addition, he became a talented aviation artist whose work resides in museums’ and enthusiasts’ art collections all over the world.

  Throughout his years as an artist, Jack produced paintings in two basic sizes. Today we are offering one of his paintings in the smaller, more compact size. Its simple, elegant, black, molded frame measures 14 ½” x 19 ½.” The painting’s action depicts a British BE 2c, which Jack misidentifies as a BE 12. I find this interesting, as Jack heavily researched his subjects before he began a painting. Nevertheless, we find that he has identified the plane as a BE 12, a single-seater fighter that was not used until 1916. Instead, it is the BE 2c, which preceded the BE 12 and was a two-seater observation version. We can verify our correction of Jack in two ways. First, and most important, two men are seated in the airplane as it takes off from its airfield. We can also clearly identify the two separate sections in which they are seated. Second, Jack writes that the scene is from 1915. The BE 2c had been in service since 1912, while the BE 12 would not join the RFC until August 1916.

  We see Jack’s signature in the painting’s lower left portion. The painting’s simple black frame sports a small gold trim band. It has a single, blue matte. The painting’s reverse displays a very small yellow tag on which Jack describes the painting’s action. Another tag also appears, on which the original owner states that this is a very early Hunter.

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  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING BRITISH BE 2c (IDENTIFIED AS A BE 12) TAKING OFF FROM AIRFIELD

  The late Jack D. Hunter was an amazing talent, and a good friend. One of my favorite “Jack” stories occurred when his first book (The Blue Max) was being prepared for publication. As was standard for first-time authors, Jack was informed that his dust jacket would be rendered in black and white (artwork AND color were too expensive for a writer without a proven sales record). Jack, however, told the publisher that HE would provide the artwork if the dust jacket was published in color. The publisher printed 5,000 (a first-time author’s standard run) hardback copies, in color, as The Blue Max’s first edition. It became a top-seller as soon as it was published, then quickly was snapped up and turned into a major motion picture starring George Peppard, James Mason, and Ursula Andress. Jack went on to write seventeen books before his 2009 death. In addition, he became a talented aviation artist whose work resides in museums’ and enthusiasts’ art collections all over the world.

  Throughout his years as an artist, Jack produced paintings in two basic sizes. Today we are offering one of his paintings in the smaller, more compact size. Its simple, elegant, black, molded frame measures 14 ½” x 19 ½.” The painting’s action depicts a British BE 2c, which Jack misidentifies as a BE 12. I find this interesting, as Jack heavily researched his subjects before he began a painting. Nevertheless, we find that he has identified the plane as a BE 12, a single-seater fighter that was not used until 1916. Instead, it is the BE 2c, which preceded the BE 12 and was a two-seater observation version. We can verify our correction of Jack in two ways. First, and most important, two men are seated in the airplane as it takes off from its airfield. We can also clearly identify the two separate sections in which they are seated. Second, Jack writes that the scene is from 1915. The BE 2c had been in service since 1912, while the BE 12 would not join the RFC until August 1916.

  We see Jack’s signature in the painting’s lower left portion. The painting’s simple black frame sports a small gold trim band. It has a single, blue matte. The painting’s reverse displays a very small yellow tag on which Jack describes the painting’s action. Another tag also appears, on which the original owner states that this is a very early Hunter.

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  BAVARIA – STEIN – FELDFLIEGER ABTEILUNG Nr 7

  SKU: 14-267

  $1,350.00

  This is an attractive example of a beer stein from one of the early war Bavarian squadrons, Feldflieger Abteilung Nr 7. This stein is quite large. It holds a full litre, compared to most steins and krugs that we see that hold half a litre….

  Height: 11in
  Width: in
  Length: in

  BAVARIA – STEIN – FELDFLIEGER ABTEILUNG Nr 7

  This is an attractive example of a beer stein from one of the early war Bavarian squadrons, Feldflieger Abteilung Nr 7. This stein is quite large. It holds a full litre, compared to most steins and krugs that we see that hold half a litre.

  This stein stands 11″ tall. It has a marvelous exterior topped by a pewter lid. Its thumb opening device features a rampant Bavarian Lion. Engraved on the lid is “Zum Andenken a. s. Kameraden (In Remembrance of our Comrades).” Hand painted on the exterior of the stein is a shield, topped by a crown. It has a propeller through its center. Below that appears the inscription “Bayr. Feld-Flieger=Abt. 7.”

  On the bottom of the stein we see that it was manufactured by Mettlach. Due to the markings on the base it is very likely that this stein was manufactured in the 1920’s or 1930’s, as opposed to during WW I. It is in excellent condition and shows honest age and wear.

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  FRAMED PHOTOGRAPH OF MAX IMMELMANN

  SKU: 14-138

  $2,495.00

  This is a simply marvelous larger format portrait photograph of Max Immelmann. The photograph measures 7 1/4″ x 3 1/4″ and is uniquely mounted in a period frame that would have hung from a wall and measures 12″ x 8 1/4.” The photograph is an original of one of Immelmann’s most-popular Sanke Cards ever produced. It has him standing wearing a bayonet, Iron Cross 1st Class, Prussian Pilot Badge, and a five-place medal bar. He is also holding his visor cap in his hands. This photo was most likely given to a family member or friend as it is signed in black on the obverse: “Max Dez. 1915.” This was taken the month before he received the PLM. The portrait photograph is placed in the frame in a way that creates a shadow box effect. The frame, as mentioned previously, is a period type and the wood is brown. Between the brown molding and the gilt trim of the shadow box is a brown velvet that adds to the distinctive look of the frame.

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  This is a simply marvelous larger format portrait photograph of Max Immelmann. The photograph measures 7 1/4″ x 3 1/4″ and is uniquely mounted in a period frame that would have hung from a wall and measures 12″ x 8 1/4.” The photograph is an original of one of Immelmann’s most-popular Sanke Cards ever produced. It has him standing wearing a bayonet, Iron Cross 1st Class, Prussian Pilot Badge, and a five-place medal bar. He is also holding his visor cap in his hands. This photo was most likely given to a family member or friend as it is signed in black on the obverse: “Max Dez. 1915.” This was taken the month before he received the PLM. The portrait photograph is placed in the frame in a way that creates a shadow box effect. The frame, as mentioned previously, is a period type and the wood is brown. Between the brown molding and the gilt trim of the shadow box is a brown velvet that adds to the distinctive look of the frame.

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