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  FRAMED PHOTOGRAPH OF MAX IMMELMANN

  SKU: 14-138

  $2,495.00

  This is a simply marvelous larger format portrait photograph of Max Immelmann. The photograph measures 7 1/4″ x 3 1/4″ and is uniquely mounted in a period frame that would have hung from a wall and measures 12″ x 8 1/4.” The photograph is an original of one of Immelmann’s most-popular Sanke Cards ever produced. It has him standing wearing a bayonet, Iron Cross 1st Class, Prussian Pilot Badge, and a five-place medal bar. He is also holding his visor cap in his hands. This photo was most likely given to a family member or friend as it is signed in black on the obverse: “Max Dez. 1915.” This was taken the month before he received the PLM. The portrait photograph is placed in the frame in a way that creates a shadow box effect. The frame, as mentioned previously, is a period type and the wood is brown. Between the brown molding and the gilt trim of the shadow box is a brown velvet that adds to the distinctive look of the frame.

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  This is a simply marvelous larger format portrait photograph of Max Immelmann. The photograph measures 7 1/4″ x 3 1/4″ and is uniquely mounted in a period frame that would have hung from a wall and measures 12″ x 8 1/4.” The photograph is an original of one of Immelmann’s most-popular Sanke Cards ever produced. It has him standing wearing a bayonet, Iron Cross 1st Class, Prussian Pilot Badge, and a five-place medal bar. He is also holding his visor cap in his hands. This photo was most likely given to a family member or friend as it is signed in black on the obverse: “Max Dez. 1915.” This was taken the month before he received the PLM. The portrait photograph is placed in the frame in a way that creates a shadow box effect. The frame, as mentioned previously, is a period type and the wood is brown. Between the brown molding and the gilt trim of the shadow box is a brown velvet that adds to the distinctive look of the frame.

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  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING ENGLISH DH 2 SHOOTING DOWN FOKKER E III (EINDECKER)

  SKU: 16-394

  $1,495.00 $1,196.00

  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING ENGLISH DH 2 SHOOTING DOWN FOKKER E III (EINDECKER)

  My good friend, the late Jack Hunter, was both an accomplished writer (author of the legendary WW I aviation novel The Blue Max) and painter. The first example of his artwork appeared with the release of The Blue Max’s 1st edition. The publisher would not pay for a color dust jacket, so Jack volunteered to provide the artwork. This way his first published effort had the benefit of a more professional-looking dust jacket.

  Jack continued to paint for more than forty years. He did so mostly for relaxation and to stimulate his mind in between those times when he was writing books. His painting is prized by collectors and has appeared in several museums. In Jack’s paintings, the airplanes were the “stars.” He worked very hard to capture all of an airplane’s correct details. Before starting on a new painting, he first produced what he termed “work sketches.” Many of these were in color. He endeavored to correctly portray ALL his subject aircraft’s historical details before he began the full painting. Even if he had previously produced paintings of Fokker Triplanes in the past, he still painted a new “work sketch” to ensure its story’s details were absolutely accurate. For Jack, his painting was an extension of his writing: he always was telling a story. He usually included a typed or handwritten description of each painting’s action. These generally were attached to its reverse, to help its new owner understand the painting and its particular airplanes.

  Our action in this painting occurs during April 1916. The Fokker E. III had been Germany’s primary single-seater airplane during 1915 and through early 1916. Aces like Max Immelmann and Oswald Boelcke had made their reputations in it, becoming the first Imperial German Air Service pilots to be awarded the Orden Pour le Mérite. As was seen countless times during the air war, new technology was constantly appearing that made previous aircraft obsolete. The Fokker E. III was rendered obsolete by the likes of the British DH 2 (whose tail number is B7313). The latter was a very unusual airplane, as the engine and propeller were located behind the pilot.

  In this painting, which is a vertical presentation, the Fokker E. III is beginning its final descent toward earth. The British pilot is looking down at his vanquished prey. A fine cloud cover appears above the planes, while a multicolored battlefield is below. Jack Hunter’s signature appears on the painting’s right lower corner. Jack primarily produced two different sized paintings. This is the smaller of the two. The painting measures 9 ½”x 14 ½.” The painting is single-matted. It sports a simple black frame, and its overall measurements are 14 3/4″ x 19 3/4.”

  This is a fine opportunity to obtain an original piece of artwork from a multi talented artist.

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  Length: in

  JACK D. HUNTER – ORIGINAL PAINTING – FEATURING ENGLISH DH 2 SHOOTING DOWN FOKKER E III (EINDECKER)

  My good friend, the late Jack Hunter, was both an accomplished writer (author of the legendary WW I aviation novel The Blue Max) and painter. The first example of his artwork appeared with the release of The Blue Max’s 1st edition. The publisher would not pay for a color dust jacket, so Jack volunteered to provide the artwork. This way his first published effort had the benefit of a more professional-looking dust jacket.

  Jack continued to paint for more than forty years. He did so mostly for relaxation and to stimulate his mind in between those times when he was writing books. His painting is prized by collectors and has appeared in several museums. In Jack’s paintings, the airplanes were the “stars.” He worked very hard to capture all of an airplane’s correct details. Before starting on a new painting, he first produced what he termed “work sketches.” Many of these were in color. He endeavored to correctly portray ALL his subject aircraft’s historical details before he began the full painting. Even if he had previously produced paintings of Fokker Triplanes in the past, he still painted a new “work sketch” to ensure its story’s details were absolutely accurate. For Jack, his painting was an extension of his writing: he always was telling a story. He usually included a typed or handwritten description of each painting’s action. These generally were attached to its reverse, to help its new owner understand the painting and its particular airplanes.

  Our action in this painting occurs during April 1916. The Fokker E. III had been Germany’s primary single-seater airplane during 1915 and through early 1916. Aces like Max Immelmann and Oswald Boelcke had made their reputations in it, becoming the first Imperial German Air Service pilots to be awarded the Orden Pour le Mérite. As was seen countless times during the air war, new technology was constantly appearing that made previous aircraft obsolete. The Fokker E. III was rendered obsolete by the likes of the British DH 2 (whose tail number is B7313). The latter was a very unusual airplane, as the engine and propeller were located behind the pilot.

  In this painting, which is a vertical presentation, the Fokker E. III is beginning its final descent toward earth. The British pilot is looking down at his vanquished prey. A fine cloud cover appears above the planes, while a multicolored battlefield is below. Jack Hunter’s signature appears on the painting’s right lower corner. Jack primarily produced two different sized paintings. This is the smaller of the two. The painting measures 9 ½”x 14 ½.” The painting is single-matted. It sports a simple black frame, and its overall measurements are 14 3/4″ x 19 3/4.” This is a fine opportunity to obtain an original piece of artwork from a multi talented artist.

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• 

  SOUP BOWL FOR PLM WINNER AND WWII LUFTWAFFE GENERAL ARTHUR LAUMANN

  SKU: 14-293

  $425.00

  Arthur Laumann was born in 1894. When the war began in August 1914, Laumann volunteered and served in 3. Rheinisches Feld-Artillerie-Regiment Nr 83. (This regiment was newly raised in 1912 and garrisoned in Bonn-Düren). Having spent much of the war at the front, Laumann was finally accepted for pilot training in August 1917. In March 1918 he was posted to FA(A) 265. In May of 1918 he was transferred to single-seater service with Jasta 66. He briefly commanded this jasta as Jastaführer from July-August 1918. He was then honored to be transferred to Jasta 10, which was one of the four squadrons that had been assigned to JG 1 (later known as Jagdgeschwader Nr 1 Freiherr von Richthofen after the death of the famed ace in April 1918) under the initial command of Manfred von Richthofen. {Upon his death in April 1918 von Richthofen was succeeded by his hand-picked replacement, Wilhelm Reinhard. Reinhard was killed while testing aircraft in July 1918. The final commander of JG 1 was none other than Hermann Göring, who remained the commander until the armistice in November 1918. Interestingly prior to the air crash that took the life of Reinhard, the airplane was flown by Göring! Those of you who are fans of The Blue Max by Jack D. Hunter may find this similar to the crash of then Jastaführer Otto Heidemann immediately after Bruno Stachel flew the plane}. Returning to Laumann, after he joined JG 1 in August 1918 he received the 1914 Iron Cross 1st Class and the Knight’s Cross with Swords of the Hohenzollern House Order in late September. On 25 October 1918 Laumann was awarded one of the last Orden’s Pour le Mérite given to a pilot. It was the last one awarded to a member of JG 1. Laumann finished the war with a total of TWENTY-EIGHT confirmed victories. Laumann rejoined the Luftwaffe in the 1930’s and was an early commander of JG 26, which was the most famous of the Luftwaffe fighter wings during WW II. Toward the end of WW II he served as the Air Attaché at the German embassies in Greece and Yugoslavia. He died in 1970. This soup bowl is 9 ½” in diameter. The bowl is one of amazing quality. It sports a magnificent gold trim at the edges with a wide band of black. A stylized “L” for Laumann appears on the black in gold. Underneath the bowl is manufacturer hallmarked, but I do not recognize the firm which produced it. This is an important artifact from a well-known WW I fighter pilot and a member of JG 1 during the final months of the Great War.

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  Arthur Laumann was born in 1894. When the war began in August 1914, Laumann volunteered and served in 3. Rheinisches Feld-Artillerie-Regiment Nr 83. (This regiment was newly raised in 1912 and garrisoned in Bonn-Düren). Having spent much of the war at the front, Laumann was finally accepted for pilot training in August 1917. In March 1918 he was posted to FA(A) 265. In May of 1918 he was transferred to single-seater service with Jasta 66. He briefly commanded this jasta as Jastaführer from July-August 1918. He was then honored to be transferred to Jasta 10, which was one of the four squadrons that had been assigned to JG 1 (later known as Jagdgeschwader Nr 1 Freiherr von Richthofen after the death of the famed ace in April 1918) under the initial command of Manfred von Richthofen. {Upon his death in April 1918 von Richthofen was succeeded by his hand-picked replacement, Wilhelm Reinhard. Reinhard was killed while testing aircraft in July 1918. The final commander of JG 1 was none other than Hermann Göring, who remained the commander until the armistice in November 1918. Interestingly prior to the air crash that took the life of Reinhard, the airplane was flown by Göring! Those of you who are fans of The Blue Max by Jack D. Hunter may find this similar to the crash of then Jastaführer Otto Heidemann immediately after Bruno Stachel flew the plane}. Returning to Laumann, after he joined JG 1 in August 1918 he received the 1914 Iron Cross 1st Class and the Knight’s Cross with Swords of the Hohenzollern House Order in late September. On 25 October 1918 Laumann was awarded one of the last Orden’s Pour le Mérite given to a pilot. It was the last one awarded to a member of JG 1. Laumann finished the war with a total of TWENTY-EIGHT confirmed victories. Laumann rejoined the Luftwaffe in the 1930’s and was an early commander of JG 26, which was the most famous of the Luftwaffe fighter wings during WW II. Toward the end of WW II he served as the Air Attaché at the German embassies in Greece and Yugoslavia. He died in 1970. This soup bowl is 9 ½” in diameter. The bowl is one of amazing quality. It sports a magnificent gold trim at the edges with a wide band of black. A stylized “L” for Laumann appears on the black in gold. Underneath the bowl is manufacturer hallmarked, but I do not recognize the firm which produced it. This is an important artifact from a well-known WW I fighter pilot and a member of JG 1 during the final months of the Great War.

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